The World Bridge Championships start on Monday in Bali, Indonesia, and end on Sept. 29. The 12-hour time difference between Bali and New York will make watching the play live on Bridge Base Online (bridgebase. com) suitable for night owls.
The United States has two teams in each of the three main events: Venice Cup, Bermuda Bowl and Senior Bowl. Each will be among the favorites to win.
Neil Chambers and John Schermer are trying for their third consecutive medal in a world senior teams, having finished second in 2011 and 2012. They are playing with Richie Schwartz, Allan Graves, Bob Hamman and Sam Lev. Schwartz and Lev were also second last year. Can they go one better this time?
In the final of the senior trial, the Schwartz team played against Carolyn Lynch, Mike Passell, Roger Bates, Marc Jacobus, Garey Hayden and Eddie Wold, who became USA-2 by winning the final match between the last two once-defeated teams.
After 60 of the scheduled 90 boards, Schwartz led by 36.5 international match points. But when Schwartz won the next set by 61 imps to 5, Lynch conceded.
The biggest swing occurred in the diagramed deal, Board 70. The given auction to six spades was by Schwartz (South) and Graves (North). North's four-diamond rebid was a splinter indicating spade support and at most a singleton diamond. Some pairs would require a fourth spade for this action, but it worked well here.
West led the heart nine. After winning with dummy's queen, South played a spade to his ten. West won with his jack and led another heart, ducked to declarer's ace. South cashed his diamond ace, ruffed the diamond six in the dummy, finessed his spade queen, cashed the spade ace and claimed.
At the other table, South described his hand as game-forcing and balanced, after which the 5-3 spade fit went unlocated. South ended in six clubs, against which Chambers (West) led the diamond jack.
Taken in isolation, the percentage play in clubs is low to the jack on the first round. Aside from the fact that this would not have worked here, South did not have the necessary communications. So he cashed his club ace and led the club jack. When West played low smoothly, declarer put up dummy's king, and now had to lose two trump tricks. (If West had covered the club jack with his queen, South could have made his contract, but it would have required excellent card-reading.)
Plus 1,430 and plus 100 gave the Schwartz team 17 imps on the board.
Bali information and daily bulletins are at worldbridge. org.
A version of this article appears in print on September 16, 2013, on page C4 of the New York edition with the headline: U.S. Has Strong Teams at World Bridge Championships in Bali.
For the record, I watched that film in 2012 only because I was on a Los Angeles to Dubai flight and had 16 hours to kill. The movie lacked a lot of things, but its major downfall was that it didn’t show the side of Bali that I fell in love with last May.
Ryan and I wanted to see another side of the island, a side far away from the wild nightclubs in Kuta where drunken tourists stumble around the beaches by night and surfers crowd the water by day. We had just spent a week on a beach in Thailand, and we’re not surfers or club hoppers, so we headed for the hills in central Bali rather than the coastlines.
Upon landing at the Denpasar airport, I was quickly overwhelmed with how crowded it seemed. There were blonde-haired tourists everywhere, which initially confirmed the cliche I pictured in my mind. Luckily, as soon as we got out of there and headed north, most of that disappeared.
Traffic on the island is bad. The roads are not in great shape and there are a lot of cars and motorbikes fighting for room. It’s no different than most Southeast Asian destinations we’ve been to, but it seemed more crowded on Bali — at least in the vicinity of the airport. The roads also got narrower and narrower as we headed toward Ubud, the culture-rich town set in the hills surrounded by brilliant green rice terraces.
My love affair with Bali began right away in Ubud. We checked in to a gorgeous hotel with lush gardens, set right beside a rice paddy field. The architecture — with Indian, Chinese and Arab influences — and the gardens were exactly what I imagined.
We got our first laugh at an ATM machine when we took out millions of Indonesian Rupiah — $180 dollars equals about 2 million Rupiah. It’s a hoot to carry around such large denominations.
‘You go eat’
By the time we hit the town, things were quiet and shutting down already. We found a restaurant that was still serving food — about the only one still open in town — so we got a table even though it looked touristy. We typically eat street food and pick small, local restaurants when we travel. My general rule of thumb is that any restaurant in Asia with pizza on the menu is immediately eliminated as a contender.
We ordered a beef dish with rendang sauce, which exploded with flavors of lemongrass, ginger, chili and coconut milk. The beef was unctuous and tender enough to cut it with the side of a fork. Sometimes you find the best food by accident. After seeking out hotspots throughout Asia visited by Anthony Bourdain and written about by the New York Times, which have surprisingly tended to live up to the hype, sometimes I put my notes away and we just pick a place based on pure intuition. This place was found with more luck than intuition. We ate there three more times.
Because we had booked the Bali trip very last minute — we decided to head there just a few days prior while discussing our options from our hotel room in Thailand — I hadn’t done the proper amount of food research. I’m usually not so casual about where to eat. I’m the type of traveling foodie that must try the staple local dishes, but in the case of Bali, I hadn’t even studied what those would be and felt kind of lost when we got there.
Thanks to a Facebook response to one of my posts from Bali, I discovered our next delicious meal from a friend who had been to Ubud: “Ibu Oka,” he wrote, “you go eat!”
Ibu Oka is definitely one of those hyped up food places on every “must eat” travel list about Ubud. The funny thing was that I hadn’t heard of it, because we spent our time researching what to see and do rather than what to eat.
We got there at some magical time when there was no wait for a table. We took our shoes off, sat down on the floor and ordered the special.
A few minutes later, out came a steaming bowl of rick topped with roast suckling pig. Sprinkled around the bowl were also pig intestines — which I only learned about later, and my boyfriend Ryan will only learn of that small detail as he reads this article — spicy vegetables and a secret, spicy sauce. Perhaps the best part of the dish is the crackling or crispy pork skin served on top. Perfection.
While food is always a highlight on any trip to Asia, the Balinese countryside was the uncontested highlight this time. It’s a landscape so green and beautiful that it’s hard to describe the feeling you have when you see it for the first time.
The sights
We fell in love with mountainside rice terraces in Sapa, in northern Vietnam, in 2010. We fell in love with hillside tea plantations in Sri Lanka in 2012. Now, it was the Balinese rice terraces that had stolen our hearts in 2013.
We hired a driver to take to the terraces north of Ubud and to see as many other sights as possible. We were in Bali for just three nights, the culmination of three weeks in Asia that included Taiwan; Phuket, Thailand; Penang, Malaysia; Sabah, Malaysia, on the island of Borneo; and now Bali. Needless to say we wanted to see as much as we could in such a short amount of time.
We visited the verdant, terraced rice paddies in Jatiluwih near Mount Batukaru, hiked to the Tegenungan Waterfall along the banks of the River Tukad Petanu, visited the Pura Ulun Danu temple complex at Lake Bratan in the Bedugul highland, and countless other temples, including the Taman Ayun Temple in Mengwi.
In Bali, one of the most stunning and impressive pieces of the culture is that every family has their own temple at their home. Some families share a common temple, but every turn you make — no matter where you are on the island — there are elaborate Balinese Hindu temple entrances and gates to private residences. They’re all built by hand and often take years to complete — it’s truly spectacular.
For our final night of the trip, we headed to Seminyak Beach, a seemingly more sophisticated beach town than what we had learned about Kuta. We checked into a nice beach-side hotel, dropped off our stuff and immediately walked out to stick our toes in the sand. Ryan took a nighttime dip in the ocean, as I stood back and watched the glimmering city lights of Kuta off in the distance. We then dried off and did the obligatory visit to a nightclub, expecting to hate it and to last for an hour at the most.
About three hours and many beers later, we had made friends with some Kiwis and were swimming in the club’s pool. We partied into the early morning before going back to the hotel and taking another dip in the pool. In just a few short hours, our cab would arrive to take us to the airport and end our latest journey through Asia. The last day of such an amazing adventure is always so bittersweet.
Lauren Glendenning is the editorial projects manager for Colorado Mountain News Media. She can be reached at lglendenning@cmnm.org and 970-777-3125.
Nyoman Nuarta's Sleeping Giant to Tower Over Bali
Award-winning Balinese sculptor Nyoman Nuarta is often cited as Indonesia's most prominent contemporary artist. He has been responsible for numerous monumental public artworks in key positions throughout the country.
But one visionary project — the Garuda Wisnu Kencana Cultural Park in Jimbaran, South Bali — has turned out to be the most challenging of his illustrious career.
"The idea of building GWK first came to mind in the late 1980s. At that time I was already a well-established sculptor, living in Bandung with my family," said the 61-year-old from Tabanan, Bali.
The GWK Cultural Park, set in limestone hills on a 60-hectare site, first began construction in 1996. The concept was devised by the GWK Foundation, headed by two ministers of the Suharto government, Nyoman and a few individuals and businessmen close to the former president.
Under the auspice of President Suharto, Nyoman was commissioned to create an enormous sculpture of the Hindu god Wisnu for GWK, as a cultural icon for Bali.
"The GWK concept was not only to build a giant sculpture, but we also hoped that we could introduce different cultures of the world through our main mission, the GWK World Cultural Forum.
The forum's goal is to educate people to become more understanding towards other cultures. So in the end, the main objective is world peace," said Nyoman, a former student of the Bandung Institute of Technology (ITB) in West Java.
"I use the image of Garuda and Lord Wisnu, a symbol of courage and loyalty. It is also Indonesia's coat of arms. Also, the Balinese consider Wisnu the preserver of life and responsible for cosmic balance and harmony. The statue, therefore, symbolizes a universal calling for all people in this world to play their part in nurturing and protecting the Earth."
In late August, hundreds of local residents and cultural enthusiasts attended the ground-breaking ceremony of the GWK statue marking a new chapter in the construction after a 16-year hiatus due to the fall of the Suharto government, the Indonesian economic crisis, internal conflicts and nervous investors.
Designed to be Indonesia's tallest monument and Bali's new cultural icon, the recommencement of the project has been made possible by property developer Alam Sutera Realty, which committed Rp 450 billion ($40 million) to finance the project. In addition, there are plans to develop the cultural park and integrated tourism facilities.
Made of copper and brass sheeting and a stainless-steel framework, the 22,000 square meters of the outer parts of the statue are being constructed in Nyoman's workshop in Bandung. They will be cut into 700 modules before being transported to Bali on 400 individual truck journeys before the sculpture will be assembled.
"This new Bali needs a different kind of cultural symbol and creative language," said Balinese culture expert, Jean Couteau. "The statue appropriately represents the cultural identity and character of the Balinese and Indonesians, as well as the nation's longing to contribute something meaningful to the global community."
Like Nyoman, Couteau believes that Bali cannot be forever bound to the past.
"Bali has undergone rapid transformation from being a traditional, agriculture-based island to a modern, urbanized society. Now there must be responsible consideration to the future development of Bali including the whole community. The process of modernization has focused on profit and exploitation and the resulting social and environmental complexities are on the whole being neglected," Couteau said.
At the beginning of the project Nyoman was well aware that the Balinese tourism industry relied too heavily on cultural heritage alone and this was unsettling for him.
"There were only minimal efforts from the government, private and public sectors to sustain the tourism industry. I understood that we needed to build a place where our heritage can be both protected and also be developed," he said. "I envision the complex to be a place where Balinese thinkers and artists can showcase their works and have a creative dialogue with their counterparts from across the globe."
When completed in 2015, GWK should be an inspiration for many people, he added, not just for the Balinese. Nyoman said 20 years had passed since the conception of the idea, and GWK has been the longest-lasting project in his life. "I have lost count on how much money and effort I have spent on this project, yet I must see it through, while keeping my promise to the Balinese people," Nyoman said.
"Despite the years of delays this project has taught me to be patient and to never give up on my dreams. Along with big dreams, will come big challenges. The best thing that you can do is remain focused and trust in your ability to succeed."
via bali - www.thejakartaglobe. com/features/nyoman-nuartas-sleeping-giant-to-tower-over-bali/
Balinese dish Karee Nangka, young jackfruit curry
A Balinese live cooking station joins the buffet restaurant's roster of cooking stations, each featuring a different type of cuisine. "The idea behind the Balinese Food Festival is to bring a new style of food to Market Cafe," says Executive Chef Josef Miklav.
A mix of influences
Gado Gado is a dish of assorted vegetables with peanut sauce.
There were Indonesian staples such as Gado Gado or mixed vegetables with peanut sauce; Rendang Sapi or braised beef in coconut sauce, and Nasi Goreng or Indonesian fried rice; as well as Balinese specialties like Lawar Kacang or long bean salad, Bebek Menyatnyat or braised duck with Balinese spices, and Babi Kecap or braised pork in soya sauce.
The beef rendang was tender and faintly spicy, perfect with the nasi goreng. The gado gado, a personal favorite, is, to put it very simply, similar to our nilagang gulay except served with peanut sauce instead of bagoong.
A variety of sates from fish to meat
"We have eight different sates on the menu from fish to meat, (all served) with peanut sauce. And they make this rice cake longing, (where) you put rice in a banana leaf and you boil it and the rice expands in there and keeps together. It's very compact, very nice, and goes with the peanut sauce and sate," Chef Josef says.
Of all the sates, I liked the fish and beef the most. The peanut sauce that accompanied them was made fresh, and had complex notes of sweet and spice.
Another dish to look out for is the Karee Nangka or young jackfruit curry with eggplant, a rich vegetarian dish.
"I think it's a very unique dish," says Chef Josef. I was very excited to try this dish but I couldn't find it when I was there, giving me an excuse to return to the Food Fest for a round two. —KG, GMA News
via bali - www.gmanetwork.com/news/story/324927/lifestyle/food/a-feast-fit-for-bali-at-hyatt-s-food-fest-in-manila
Five of Bali's Most Scenic Cafés and Restaurants
From American model Jerry Hall to actress Mila Kunis, honeymooners travel to Bali each year to feel the romanticism of the island. Not just for the breathtaking panorama and spellbinding culture, they also come to the Island of Gods to enjoy the many design-conscious establishments which offer fantastic food and drinks that focus on great ambiance. We take you to five of them.
Finn's Beach Club, Semara Uluwatu
Tucked away in a cliff with its own private beach, Finn's Beach Club is the best place in Bali to have fun in the sand without nagging souvenir vendors. The thatched-roof restaurant and bar add to the laid-back effect in one of Bali's most well-known beach spots.
Ayung Terrace, Four Seasons Bali at Sayan
Stand-out architecture is what the main building of Four Seasons Bali at Sayan is famous for and the Ayung Terrace restaurant is the best place to enjoy the singular design. For privacy, choose a seat in the outdoor terrace and savor a carefully crafted list of menu items from Indonesia and beyond. Some say the restaurant serves the best eggs benedict in Bali.
Soleil, The Mulia Bali Nusa Dua
Opened at the end of 2012, Soleil is one of the most romantic restaurants in the island. Indulge in seaside Mediterranean and pan-Asian menu while enjoying sweeping views toward Nusa Dua Bay. Enjoy the Sunday brunch (11 a.m. – 3 p.m.) with free flow wine-
Sunset Cabana, Alila Uluwatu
The contemporary lines that have become the signature of this astonishing property provide maximum exposure to the panoramic views of the sea. One of the best places to enjoy it is the Sunset Cabana.
El Kabron, Pecatu
Spanish delicacies made by a former three-star Michelin restaurant chef from Barcelona add to the attraction while the view makes a visit to El Kabron a must.
Burufly
via bali - www.thejakartaglobe. com/features/travel/five-of-balis-most-scenic-cafes-and-restaurants/